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Album review: Trace Adkins, "Cowboy's Back in Town"

trace adkinsTrace Adkins may love you. He definitely loves beer. (Kyle Gustafson/FTWP)

By Allison Stewart

Trace Adkins belongs to a glowering, Stetsoned, entirely male subspecies of country music stars: Hominis redneckus. An enduring breed, they are known by their tendency to wear head-to-toe black, their outspoken appreciation for the female form (posteriors being a particular favorite) and a tendency toward virtuous pronouncements about the sanctity of the flag.

For a generation of CMT fans, Toby Keith paved this road, and everybody else is merely driving on it. Even Adkins, newly signed to Keith's imprint label, is unfairly seen as a second stringer despite years of hits such as the self-explanatory "Honky Tonk Badonkadonk" and a flourishing acting/reality-TV career that includes a season of "The Celebrity Apprentice" (he came in second) and a role in the also self-explanatory "Trailer Park of Terror."

"Cowboy's Back in Town" is meant to be lighter-hearted and less jingoistic than its predecessors. It's a good-time record that emphasizes romancing over brawling ("Whoop a Man's Ass" excepted). Better, and certainly less cartoonish, than anything Adkins has done in years, it's divided into two basic themes:

1. I guess I love you.

2. Beer is nice.

Sometimes these themes not-so-serendipitously collide: "Hold My Beer," in which a beer-drinking groom can't find a place at the altar to set down his beverage, isn't meant to be appreciated by anyone with a uterus; the less said about "Ala-Freakin-Bama," the better.

The tracks that fare best stake a middle ground between punchy and sappy, like the string-laden, Conway Twitty-ish "Still Love You," and the Eagles-suggesting "A Little Bit of Missin' You," both amiable, effortless tracks that demonstrate that the less this "Cowboy" tries, the better he is.

Recommended tracks: "This Ain't No Love Song," " A Little Bit of Missin' You"

By Allison Stewart  |  August 17, 2010; 9:30 AM ET
Categories:  Quick spins  | Tags: Trace Adkins  
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Next: Album review: Brian Wilson, "Reimagines Gershwin"

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