Posted at 05:30 AM ET, 11/20/2009

Macbeth and other guilty souls in literature

In his book "Guilt: The Bite of Conscience," published by Stanford University Press in October, Herant Katchadourian explores the many manifestations of guilt across disciplines, religions and philosophies. Here, Katchadourian, emeritus professor of psychiatry and human biology at Stanford University, assesses the role of guilt in literature.

GUEST BLOGGER: Herant Katchadourian

Clinicians and behavioral scientists focus mostly on the subjective and psychological aspects of guilt -- feeling guilty. Prophets, theologians, philosophers and legal scholars are more concerned with the objective element in guilt as culpability -- being guilty.

Literature offers a vast array of descriptions and insights into guilt that provide compelling illustrations of the experience of guilt, as well as penetrating insights into its nature.

The oldest, and most compelling example is the Greek tragedy, "Oedipus Rex," by Sophocles. The story of King Oedipus -- and Freud's Oedipus complex derived from it -- are well known. Oedipus admits to having committed the heinous crimes of parricide and incest, yet he vehemently denies being guilty. He rightly claims that his actions were ordained by the gods before he was born, and he committed them unknowingly and unwittingly ("...how, with any justice could you blame me?").

This moral dilemma is still with us. We no longer invoke the will of the gods but attribute instead our actions to the interplay between biological factors and social upbringing. We have no personal control over either of these. Yet we invoke the idea of a "free will" in order to hold people responsible for their actions.

St. Augustine's monumental "Confessions" is not a formal autobiography, but it contains a great deal of biographical material dealing with guilt. It is the model of the confessional genre in literature that serves as the vehicle for authors to bare their chests. And it was Augustine whose teachings on guilt became elaborated into the Christian doctrine of Original Sin.

Martin Luther (who revered Augustine) provides his own autobiographical accounts of struggles with a particularly obsessive form of guilt, called scrupulosity by the Catholic Church. ("I went to confession frequently, and performed the assigned penances faithfully. Nevertheless, my conscience could never achieve serenity..."). The realization that he could not achieve absolution by his own efforts, and could only be "justified by faith," freed him from his obsession with guilt and became the cornerstone of the Protestant Reformation.

Shakespeare (who was a psychologist before there were psychologists) provides compelling insights into guilt. The tragedy of Macbeth is a tale of murder that leads to a ferocious sense of guilt that drives Macbeth to his downfall, and Lady Macbeth into insanity and suicide ("...Here is the smell of blood still; all the perfumes of Arabia will not sweeten this little hand"). It is a cautionary tale of how unbridled ambition can drive even intelligent and upright individuals into striking a Faustian bargain with the devil and to their doom.

The contributions of literature to our understanding of guilt are complimentary rather the competitive with those of the behavioral sciences, religion and philosophy. Some experiences of guilt cannot be subjected to the quantification of behavioral studies, and the constraints of faith or reason.

Literature captures them more readily by bringing us closer to the personal experience of guilt. It allows for a more intuitive understanding, an imaginative extension, and a greater scope and latitude in the use of language that make possible a more subtle and nuanced understanding and expression of guilt in human lives and relationships.

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Posted at 05:30 AM ET, 11/19/2009

A chance encounter -- and a literary delight

By Dennis Drabelle

Here's why bookstores will always be important to me.

Last week, on a visit to Philadelphia, I stopped in at the Book Trader, a roomy secondhand store on Second Street, looking for something to read, wanting to be surprised. While browsing the fiction shelves, I noticed "Chad Hanna" (1940), by Walter D. Edmonds, and a bell rang in my head: The book was made into a movie (also 1940) with Henry Fonda. Not a movie I'd seen, but one of whose existence I was aware.

I picked up the volume, an old Bantam Pathfinder paperback, saw that the eponymous Chad is a circus roustabout circa 1836, and that was all I needed to know -- I made the purchase.

"Chad Hanna" may not be an incandescent masterpiece, but it's nicely paced and evocative, not to mention intelligent, informative, diverting, frank (but not lewd) about sex. Its author, Walter D. Edmonds (1903-98) wrote it in a period when he could hardly make a wrong move. Both "Chad Hanna" and an earlier novel by him, "Drums Along the Mohawk," were bestsellers (according to the Wikipedia article on Edmonds, "Drums" placed second to "Gone with the Wind" on the fiction list for a while); and along with a third novel, they were made into Hollywood films, with "Drums" being directed by John Ford, no less.

But it took a bookstore to bring the two of us together. It took that dreamy process of roaming though the aisles, considering and rejecting other candidates, and finally meeting the book you didn't realize was the very one you wanted -- an experience that seems unlikely, and perhaps impossible, to have on the Internet.

In an ideal world, "Chad Hanna" would be in print, but in today's publishing climate it's hard to imagine anyone founding a line of worthy but forgotten bestsellers from decades past. So libraries (also browsable, of course) and secondhand stores are the only places where these books can be approached. Patronize your local used bookstore (if you are lucky to have one: It can perform the valuable function of taking you down offbeat literary paths.

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Posted at 05:30 AM ET, 11/18/2009

Wrath of Capt. Sully, manly titles, Supreme Court's Cuba book decision, an attorney's tale of DC sniper

Capt. Sullenberger vs. William Langewiesche on landing in the Hudson. ... Best books for boys and young men. ... Supreme Court declines to enter fray over Cuba book. ... Attorney plans book on D.C. sniper. ... Must-read social media books. ...Google, Authors Guild and Association of American Publishers submit new version of digital book settlement.

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Posted at 05:30 AM ET, 11/17/2009

Sin, Redemption and the State

So you've sinned. Now what? Gary A. Anderson, a professor in the Department of Theology at Notre Dame, may have an answer for you. In his book "Sin: A History," published by Yale University Press in September, Anderson explores the roots of sin and atonement. Hint: help the poor. But what if the state moves in, as it has in the past 500 years, and takes on a large responsibility for aiding the disadvantaged? How, then, does the average sinner pay off his debt?

GUEST BLOGGER: Gary A. Anderson

During his presidential campaign, Barack Obama gave a landmark speech on race relations. He remarked that the "original sin of slavery" had left a "stain" on our nation. The usage of the biblical metaphor of sin as a stain allowed President Obama to say something quite profound.

In the Bible, sin is not just a vague mental notion that something has gone wrong. Rather, sin has a certain "thingness" to it that cannot be lightly dismissed. Its indelible mark is not easily washed away. Horrible human sins, the Bible teaches, have lasting consequences.

Yet one should not despair. Though sins can linger, there are ways to bring their baneful consequences to closure. But everything depends on what we imagine a sin to be.

One of the most common ways of describing sins in the Bible is as a form of debt. Consider the fifth petition of the Our Father: "Forgive us our debts as we forgive our debtors." Behind this metaphor is the idea that God records our misdeeds as debts and awaits their repayment. But how are they repaid?

The answer is as simple as it is striking - by transferring funds to heaven through direct service to the poor. Already in the Jewish Bible we learn that he who is generous to the poor makes a loan to God (Proverbs 19:17). Jesus is even more graphic: charity toward the poor funds a treasury in heaven.

According to these images, the hand of the poor person is like a full service ATM - the money it receives is instantly deposited in a heavenly treasury. For this reason, Jewish beggars in antiquity would approach potential donors and say: "make a deposit in heaven through me."

The influence of this sort of thinking on Western culture was profound. Both synagogue and church spent a great of effort distributing goods to the poor. Building on a Jewish foundation, Jesus declared that those who had fed the hungry and clothed the naked would enter his heavenly kingdom. The stakes were certainly high when it came to showing charity.

In the 15th and 16th centuries the position of the church as a purveyor of goods to the poor changed dramatically. In country after country across the face of Europe, the burgeoning power of the state absorbed more and more of these responsibilities.

This transformation was troubling to many. If the state became the primary distributor of charity, how could spiritual debts be paid off?

In our own day, it is clear that the state is, and must remain, the primary social service agency.

But the importance of faith-based giving is still an issue of considerable debate. Because God's grace does not simply float down from the heavens but is mediated by human hands, there may be some social utility in putting those charitable impulses to work in ameliorating some of the social ills that plague our country.

For the religious believer, however, giving to poor does more than fill a social need, it is the most effective way of channeling the love of God into a fallen world.

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Posted at 05:30 AM ET, 11/16/2009

Fort Hood and the invisibility of Arab Americans


A memorial to the victims of the Fort Hood shooting stands on the grounds of Casa Del Norte, the apartment complex where the gunman Maj. Nadil Malik Hasan lived in Killeen, Texas. (Eli Meir Kaplan/Getty Images)

The Fort Hood shootings have re-ignited conversation about the place of Arab and Muslim Americans in U.S. culture. Syrian-American civil rights attorney Alia Malek has probed the question deeply in her book "A Country Called Amreeka: Arab Roots, American Stories," published by Free Press in October. The book tells the individual tales of Arab Americans working the assembly line, holding public office and serving in the armed forces. Malek has discovered that despite their contributions Arab Americans remain mostly sidelined in the story of America. Here she reflects on Arab-American invisibility which tends to vanish only in moments of national tension.

GUEST BLOGGER: Alia Malek

Arabs - both Christian and Muslim - began emigrating to the United States in appreciable numbers from the Arabic speaking world in the late 1800s. But too often their lives here are invisible, absent from national conversation, except in moments like the one we are living through right now in the wake of the tragedy at Ft. Hood. We tend to check in with this diverse community only when something goes "BOOM" in America or when someone of Arab or Muslim descent does something criminal.

It's a shame because the Arab-American contribution stretches across the landscape and, significantly, into the U.S. armed forces. Consider Navy SEAL Mike Monsoor who threw himself on a grenade in Iraq on September 29, 2006. The device had landed among SEALs and Iraqi soldiers, and Monsoor absorbed the blast with his body, saving everyone's life but his own. For his act of self sacrifice, he was posthumously awarded the Congressional Medal of Honor last year.

Then there's Lance Corporal Abraham al-Thaibani of New York who enlisted with the Marines after his city was attacked on 9/11. On the day the World Trade Center towers fell, al-Thaibani ran through the streets of Brooklyn looking for his veiled wife to protect her from any potential backlash. He went to war in Iraq, a battleground chosen by American leaders for reasons that were unclear to him. He focused his efforts on seeing that every Marine he knew came home alive and tried to help Iraqi civilians where he could.

Abe's brother followed in his footsteps, enlisting and serving in Fallujah. He won the Purple Heart for his service.

These men are just a few of the thousands of Arab Americans who are in the armed services or have served in U.S. forces over the years. Like other Americans in the service, their experiences have run the gamut from ordinary to valiant to the ultimate sacrifice.

Arab-American history is long and deep in the United States but Arab and Muslim Americans are not part of how we imagine who we are as Americans or how we perceive what makes up the American experience. Now, in the national discussion among commentators, politicians, and others in the aftermath of Ft. Hood, we can see the dangerous effects of Arab-American invisibility; in that vacuum, acts of a single individual, Major Hasan, cast a shadow of collective guilt on millions of Americans.

Timothy McVeigh warped the interpretations of the Constitution but we easily dismissed that without pondering whether there was inherent evil in the Constitution. The same cannot be said of how we view the relationship between the Koran and violent behavior - we unfairly blame individuals' horrific acts on the teachings of the Koran. We ignore needed discussion of evident mental health issues, which were the focus when other service people have cracked and murdered their colleagues, and instead engage in lazy analysis about ethnic predilection of violence.

How can we move the conversation forward? If we knew more about the soldiers mentioned above and other Arab Americans, if their stories were familiar to us, if the origins of their names recognizable to us, how would the conversation be different?

While the murders at Ft. Hood and the resulting discussions show that the visibility of Arab Americans has yet to come into sharp focus, it also is a turning point that indicates that we have grown as a nation since 9/11. Eight years after the attacks, many Americans who are non Arab or Muslim - in the media, law enforcement and on the street - were immediately sensitive to potential backlash and spoke out. That says to me that we have begun to see Arab and Muslim Americans as a part of us, and that we realize that "us" is many things, from the murderous to the heroic to the ordinary.

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